Chansons populaires au XIX^e siècle

Programme

Keynotes 

Derek B. Scott – The New Popular Songs of the Nineteenth Century

Michela Niccolai – Montmartre en chansons. Salles, répertoires et interprètes entre café-concert et cabaret (1860-1914 environ)

Central Europe and Spain

David Robb – The Truly Popular Protest Songs of the German 1848 Revolution

Tobias Fasshauer – «Wenn das Banjo zittert»: Americanism in Popular Songs of the Wilhelmine Era

Viktor Velek – Master Jan Hus and Hussitism as the Subject of Czech Social Songs in the 19th Century

Anja Bunzel – Popular Song in the (Semi-)Private Domain? Considering the Nineteenth-Century Salon within the Context of Popular Culture

María Encina Cortizo et Ramón Sobrino – The Repertoire of ‘Popular Song’ in the Spanish Nineteenth Century: A Round Trip beyond the Popular Music in Urban Spaces

Circulation

Eva-Maria de Oliveira Pinto – Popular Songs in the Ecclesiastical Context: Discoveries in European and North American Organ Music of the 19th Century

Maria Birbili – French Revolutionary Songs and their Politicized Proliferation around Europe from the early 19th to the early 20th Century

Ewelina Czarnowska – Commercial Music in Warsaw Coffeehouses between Two Uprisings

Chloe Valenti – Between Opera and Popular Song: British ‘Va, pensiero’ Reprints in the Mid Nineteenth Century

United States

Wojciech Bernatowicz – «He’s Gone to Be a Soldier in the Army of the Lord»: Politics in the Antebellum American Popular Song

Paolo Somigli et Luigi Conidi (in collaboration with ICAMus The International Center for American Music) – Metamorphoses and Permanence: The Music of Stephen Collins Foster in the History of American Popular Song

Candace Bailey – Definition and Dissemination of Popular Song in the Southern United States

Between Genres and Contexts

Henrike Rost – «La Biondina in Gondoletta»: The Transnational Success Story of a Popular Gondola Song

Jan Dewilde – «I Know a Song»: The Popular Song in 19th-Century Flanders

Catarina Braga – The Portuguese Chansonnette at the End of the Nineteenth Century: The New Popular Song or a Mini-Comic Scene?

Pénélope Patrix – Le fado et le tango au XIX^e siècle : poétiques ‘canailles’ et imaginaires des origines

Emily Shyr – The Prince of Song Revisits the Erl-King: The Role of Popular Song in Schubert’s Impromptu No. 1 in C Minor, D. 899

Mark McFarland – Debussy the Patriot?

Beatriz Pomés Jiménez – Pablo Sarasate’s Spanish Dances: A Contextual Study

Cultural and Social Issues

Bernardo Illari – Popular Music as Nation Building: Tertulia Songs in Buenos Aires, 1810-1840

Jörg Holzmann – ‘Marlbrough s’en va-t-en guerre’: A Former Soldiers Song, Spreading over Europe and the Americas, Changes its Applications. From Toast and Children’s Song to a Fraternity Ceremony, from England to Mexico and Sweden

Mirella Di Vita – Pesnja e Romans: le forme della lirica vocale russa agli inizi del XIX secolo

Islands and Transatlantic Routes

Áine Mulvey – Dialect Verse and Songwriting during the Irish Cultural Revival (1891-1922)

Flávia Camargo Toni – The Twenty Modinhas for Voice and Piano by Sigismund Neukomm and Joaquim Manoel da Câmara Cruz: A ‘Transatlantic’ Partnership

Henry Stoll – Postcolonial Contrafacta and the Songs of Haitian Independence

Programme