Arts de la scène et questions techniques

Programme

Keynotes

Scott Palmer – Light, Music and the Arts of the Theatre

Catrina Flint – From Provence to Montmartre: Setting the Stage for Maurice Bouchor’s Little Wooden Actors

Michela Niccolai – Ombre, lumière et musique. Le théâtre d’ombres à Paris à la fin de siècle

Staging

Manuela Rita – Il teatro di Massenet tra «notes de mises en scène» e «disposizioni sceniche»

Serena Labruna – I «livrets de mise en scène»: il caso di «Le Cid»

Maria Birbili – Multimediality, Special Effects, and Precursory Film Techniques in the Staging of French «grand opéra»: The Composer as a Stage Director

Merle Tjadina Fahrholz – Written to be Staged: How Heinrich Marschner and Wilhelm Wohlbrück Drafted their Opera «Der Templer und die Jüdin» to Be Staged in 19th-Century Germany and What Became of It

Veronika Vejvodová – Premiere Reconstructed: Dvorák’s Last Opera «Armida» and the Problems of First Staging at the Prague National Theatre, 1904

Scenography

Raphaël Bortolotti – 19th-Century Italian Stage Painting

Zharkova Valeriya – Principles of Creating a Scenic Image in the Opéra-Comique Theater in the Last Quarter of the Nineteenth Century

Itinerant Companies and Entertainers

Vesa Kurkela – Itinerant Entertainers around the Baltic Sea: A Case Study from Late 19th-Century Helsinki

William Osmond – Bringing Paris to Amsterdam, Travelling French Singers and Players on the Amsterdam Stage

Theatres, Performance and Technology

Davide Mingozzi – Costume e società a teatro nella Genova di fine Settecento (1772-1797)

María Encina Cortizo et Ramón Sobrino – Modernity in the Teatro Real in Madrid (1888-1905): New Technical Issues to Light Up the Performances in Relation with the Wagnerian Repertoire

Jana Laslavíková – Carl Maurer’s Sketchbook and Gustav Wintersteiner’s Watercolor Set as Sources of Stage Practice in the Pressburger Municipal Theatre in the 19th Century

Yurii Chekan – Opera in 19th-Century Ukraine: European Experience and its Reception

Francesco Bertini – Un librettista si dà all’impresariato: Gaetano Rossi a Verona

Irene Pasqua – La ghironda e l’organico strumentale di accompagnamento dell’azione in scena. Un nuovo paradigma di studio: la sua presenza in opere e balletti dell’Ottocento

Programme