Financer la musique en Europe du XVIII^e au début du XX^e siècle

Programme

Keynotes

Katharine Ellis – Broke: Tales from the French Opera Industry

Yannick Simon – Des subventions à la politique culturelle. L’État français et les sociétés de concerts

Organization, Management and Financing of Opera Houses

Davide Mingozzi – «Non sarà lecito a chiunque di aprire teatri in città»: l’impresa dei teatri a Genova (1772-1773)

Eric Boaro – Tra gioco d’azzardo e giustificazione morale. ‘Immoralità’ e sopravvivenza economica del Regio Ducal Teatro di Milano (1717-1776)

Maxime Margollé – Financer l’Opéra-Comique à la fin du xviiie siècle, une mission impossible ?

Aline Gallasch-Hall de Beuvink – Organization and Financing the Royal Opera Houses: Music as Power in the 18th-Century Portugal

Jeroen Van Gessel – Money as the Missing Link: Interpreting Audience Reception and Artistic and Social Policy in the Strasbourg Opera (1886-1918) through its Finances

Jules Cavalié – The «Saison italienne» at the Théâtre du Châtelet in Paris in May and June 1910: The Development of a Branded Product, between Public Institutional Model and Private International Entrepreneurship

Musical Impresarios during the Nineteenth-Century

Stefanie Liang – The Case Study «I Pagliacci»: The Relationship between the Composer Ruggero Leoncavallo and the Musical Impresario Edoardo Sonzogno

Megan Estela – Maurice Grau and the Golden Age of the Metropolitan Opera House

Dario De Cicco – Edoardo Mascheroni (1852-1941): direttore d’orchestra e impresario

Private and Public Investment, Subscriptions and Societies

Rémy Campos – Donner un concert. Les salons musicaux parisiens entre dépense et libéralité (1870-1914)

Gabriele Slizyte – Propagande diplomatique, management et financement des artistes : le rôle de l’Association française d’action artistique dans la carrière américaine des musiciens français au début du XXe siècle

Attilio Cantore – «Rivendicare un nuovo onore alla nazione» con i fratelli Marchisio: le severe bellezze della musica strumentale da sala nella Torino dell’Ottocento

Haiganuş Preda-Schimek – The Economic Network around Folk Music: A Case Study on Romanian Folksong-Arrangements in the Offer of Viennese Publishers (ca. 1850)

Anna Wright – The Funding of Conservatoires in late Nineteenth-Century Britain

David Cranmer – Return on Investment through Publicity: The Case of the Fêtes des Arènes, Béziers (1898-1926)

Joseph Darby – «To Send them into the World – in the best Manner I Am Able»: Publishing Music by Subscription in 18th-Century Britain

Simon McVeigh – Piano Manufacturers and Concert Promotion in Edwardian London: New Light on the Broadwood Concerts (1902-1912)

The Musician as Entrepreneur: How Musicians Financed their Activities

Adam Swayne – The Musician as Entrepreneur: The Example of Ferdinand Ries’s Concerto Op. 123

Ramón Sobrino et María Encina Cortizo – Musicians as Entrepreneurs: Private Music Societies in Crisis Times in Spain (1868-1874)

Christina Guillaumier – Composer-Pianist, Conductor and Entrepreneur: The Multiple Lives of Sergei Prokofiev

César Leal – Isaac de Camondo and the Music Aesthetic of Amateur Composers and Sponsors

Mirijam Beier – How to Finance a Singer’s Life and Career in the Italian Opera Business of the Eighteenth Century

Politics of Encouraging the Development of Musical Life

Demosthenes Fistouris – Political, Organizational, Management Issues and Financing in the Greek Art Music from 19th to the Early 20th Century

Jan Dewilde – German Patrons and the Antwerp Musical Life (1864-1914)

Kristin Van Den Buys – The Rise, Climax and Decline (1920- 1936) of Modernist Music in Commercial Concert Organizations in Brussels and its Revival (1936-1940) at the Fully Subsidized National Radio Belgian Broadcasting Institute

The Long History of Patronage: Persistence and Evolution of an Economic Model

Berthold Over – Music in the Court Budget: The Example of the Munich Court (1590-1802)

Morton Wan – Sonic Exuberance: Music and the Stock Market during the South Sea Bubble

Sean Reilly – The New-German School and the ‘Retreat to the Court’: Reexamining the Conflict between Claims of Autonomy and the Constraints of Aristocratic Patronage

Olena Ponomarenko – Patrocinio nella cultura musicale ucraina: tradizione e innovazione

Programme