Le quatuor à cordes de 1750 à 1870 : de l’espace privé à l’espace public

Programme

Keynotes

Cliff Eisen – Why the String Quartet?

Christian Speck – Joseph Haydn and the Classical String Quartet: Vocal and Instrumental Thinking in the Variations of Op. 76, No. 3

Beethoven and the String Quartet

Nancy November – From Private to Public to Private? On the Aesthetics and Reception of Beethoven’s String Quartet in F Minor, Op. 95

Mark Ferraguto – Beethoven’s Late Quartets and the Idea of “Romantic Sociability”

Stephen Husarik – Gluck’s Theme in Beethoven’s «Große Fuge», Opus 133: A Study in Thematic Transformation

Maria Teresa Arfini – Il «Quatuor Scientifique» di Antonín Reicha e la sua influenza sull’ultimo Beethoven

Boccherini: A Composer sui generis

Mara Parker – Music Fit For A King: Boccherini’s Quartets for Friedrich Wilhelm II

Lolita Fūrmane – Boccherini und Haydn als zwei Arttendenzen in dem frühen Streichquartett

Michael F. Vincent – The String Quartet and the Communication of Genre in Lombardy, ca. 1760-1773

Aesthetics, Iconography and Performance

Stefan Caris Love – Compositional Deception and the First-Time Listener in the Classical String Quartet

Melanie Lowe – Topics of Consumer Identity in the 1780s: Pleyel’s Op. 1 and Mozart’s Op. 10 String Quartets

Alan Davison – Picturing the String Quartet in the Nineteenth Century: A Study in the Visual History of Listening

Edward Klorman – The String Quartet Before the Concert Hall: Did The Players Rehearse?

The String Quartet in Italy

Elisa Grossato – L’evolversi del quartetto all’italiana attraverso la competizione pubblica del fiorentino premio “Basevi”: il significativo caso di Giovanni Bottesini

Alice Sbrilli – I quartetti di Francesco Zanetti (1737-1788): committenza, circolazione e stile

Alessandro Mastropietro – Un temibile concorrente del quartetto d’archi nel secondo Settecento: il trio a due violini e violoncello, tra camera e orchestra

Mariateresa Dellaborra – Giovanni Battista Viotti e “les quatuors dialogués”

Stephanie Klauk – Streichquartettpflege in Rom in der zweiten Hälfte des 18. Jahrhunderts

Franz Joseph Haydn

Federico Gon – «Due secoli, l’un contro l’altro armato»: reminiscenze barocche e tendenze romantiche nei Quartetti Op. 76 di Franz Joseph Haydn

Alexander Raymond Ludwig – Searching Haydn’s Quartets for Tovey’s ‘Luxurious Effects’

Rainer Kleinertz – Die Streichquartette Joseph Haydns im Spiegel der Sonatentheorie Francesco Galeazzis

James S. MacKay – Sonata-Form Solutions: Formal Experimentation in Joseph Haydn’s String Quartets, Opus 17

Walter Kreyszig – Haydn als Wegbereiter Beethovens: Zur Verknüpfung von “stile antico”, gelehrtem Kontrapunkt und “stile galante” in den Finalsätzen von Haydns Opp. 20/2, 20/5 und 20/6 und der Fortsetzung des strengen Stils in Beethovens «Großer Fuge in B-Dur», Op. 133

Balázs Mikusi – Joseph Haydn’s String Quartet Collection

The String Quartet in Vienna

Roberto Scoccimarro – Joseph Eybler e il quartetto per archi a Vienna negli anni 1790-1810

Julia Gołębiowska – String Quartets of Józef Elsner. Between the Viennese Tradition and Polish National Style

Anne M. Hyland – Form versus Aesthetic: Schubert’s «Quartettsatz» and the Dialectic of Private and Public

The String Quartet in France

Florence Doé de Maindreville – Naissance et développement d’une société de quatuors en province au milieu du XIX^e siècle : l’exemple de Reims

Louise Bernard de Raymond – Vers une symphonisation de l’écriture du quatuor à cordes au début du XIX^e siècle : l’exemple des quatuors à cordes d’Antoine Reicha

Muriel Boulan – La révélation d’un jeune compositeur sur la scène publique au début des années 1830 : les quatuors à cordes de Henri Reber

Fabio Morabito – Signs of the Distance: Mapping the Performer’s Space in the 1820s Parisian Professional String Quartet Concert

Livia Laifrova – Les premières éditions parisiennes de quatuors à cordes des compositeurs tchèques au tournant du XIX^e siècle.

Production and Reception in European Countries

Rohan H. Stewart-MacDonald – Works for String Quartet by Samuel Wesley: A Preliminary Overview

Warwick Lister – Feliks Yaniewicz and the String Quartet in Great Britain, 1810-1830

Michaela Freemanová – String Quartet Repertoire in the Late Eighteenth-Century and Early Nineteenth-Century Collections of the Bohemian Nobility and Religious Orders: Dissemination at Home and Abroad

Christiane Heine – String Quartet Composition in Spain after Juan Crisóstomo de Arriaga [1824] until the 1870s: A Non-Existent History of the Genre?

Beatriz Hernández Polo – Schumann: from “Modern” to “Classic”. Presence and Reception of the String Quartets of European Romantic Composers in Madrid through the Activity of the “Cuarteto Francés”

Programme