L'héritage de P. A. Locatelli et J.-M. Leclair au XIXe siècle
Colloque organisé du 17 au 19 octobre 2014 à la Fondazione MIA (Bergame, Italie) par le Centro Studi Opera Omnia Luigi Boccherini, en partenariat avec le Palazzetto Bru Zane.
Comité scientifique : Annalisa Barzanò, Sergio Durante, Roberto Illiano, Étienne Jardin, Fulvia Morabito, Paola Palermo, Rudolf Rasch, Massimiliano Sala.
Publication liée
Locatelli and the Violin Bravura Tradition, sous la direction de Fulvia Morabito, Turnhout : Brepols, 2015.
Programme
Keynotes
Rudolf Rasch – Leclair, Locatelli and the Musical Geography of Europe
Neal Zaslaw – Locatelli’s Influence on Leclair: Myth or Reality?
Sergio Durante – Authorial will and editing policies
Pietro Antonio Locatelli and His Legacy
Paola Palermo – Locatelli e la sua città natale (documenti e relazioni)
Christoph Riedo – Locatelli and the Apotheosis of Baroque Violin Playing
Ewa Chamczyk – Musical Legacy of Pietro Antonio Locatelli in 19th Century Polish Music on the Example of Karol Lipiński’s and Apolinary Kątski’s Caprices
French Routes
Étienne Jardin – Retrouver Leclair (1804-1874)
Candida Felici – Italian Violin School in Mid-Eighteenth-Century France: From the «Concert spirituel» to Literary Pamphlets
Paola Besutti – On the Way to France, Trade and Stylistic Awareness: Carlo Tessarini
Pierre-Marie-François de Sales Baillot
Priscille Lachat-Sarrete – L’école française de violon de Viotti, Kreutzer, Baillot et Rode : virtuosité et lyrisme dans les concertos pour violon
Alessandro Mastropietro – Un solismo da camera: Baillot e il «trio brillant» parigino all’inizio del secolo XIX
Lorenzo Triviño López – Locatelli’s Bow Technic Legacy in Baillot’s l’«Art du violon»
Jean-Marie Leclair and His Legacy
Walter Kreyszig – Jean-Marie Leclair’s «goûts réunis» in His «Quatre livres de sonates pour violin et basso continuo», Op. 1 (1723), Op. 2 (ca. 1728), Op. 5 (1734) and Op. 9 (1738): Chromaticism, Deceptive Cadence, Enharmonic Modulation, and Bimodality in Anticipation of Early Nineteenth-Century Harmonic Practices
Sallynee Amawat – Bridging the Baroque and Classical Periods: The Role, Lives, and Innovations of French Violinist-Composers Guillemain, Guignon, Leclair, and Mondonville
Guillaume Tardif – Diets, Dialogues, Duels: The Evolution of Two-Violin Unaccompanied Repertoire since Leclair
Background Voices
Annalisa Barzanò – Pietro Antonio Locatelli e Jean-Marie Leclair nel Fondo Piatti-Lochis
Charris Efthimiou – About the Instrumentation of the Melody Line in Alessandro Rolla’s Symphonies D4 and E1 (1803-1811)
Ana Lombardía – The Violin Sonata in Madrid (1740-1770): Italian and French Influences
Simone Laghi – I Sei Quartetti per Archi di Bartolomeo Campagnoli: “Scienza tedesca e anima italiana”
Jesús Fernández Sinde – Music, Image and Identity: Private Halls and Female Spanish Performers during the Second Half of the 19th Century
Giuseppe Tartini
Gregorio Carraro – «Ah vous dirai-je, Tartini!» Tartini e lo stile francese
Tommaso Luison – Tartini e Locatelli: figure retoriche, tecnica violinistica ed elementi di orchestrazione nei concerti per violino
Persone correlate
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data di pubblicazione : 04/10/23