P. A. Locatelli and J.-M. Leclair Legacy in the XIX Century

Programme

Keynotes

Rudolf Rasch – Leclair, Locatelli and the Musical Geography of Europe

Neal Zaslaw – Locatelli’s Influence on Leclair: Myth or Reality?

Sergio Durante – Authorial will and editing policies

Pietro Antonio Locatelli and His Legacy

Paola Palermo – Locatelli e la sua città natale (documenti e relazioni) 

Christoph Riedo – Locatelli and the Apotheosis of Baroque Violin Playing 

Ewa Chamczyk – Musical Legacy of Pietro Antonio Locatelli in 19th Century Polish Music on the Example of Karol Lipiński’s and Apolinary Kątski’s Caprices

French Routes

Étienne Jardin – Retrouver Leclair (1804-1874)

Candida Felici – Italian Violin School in Mid-Eighteenth-Century France: From the «Concert spirituel» to Literary Pamphlets

Paola Besutti – On the Way to France, Trade and Stylistic Awareness: Carlo Tessarini

Pierre-Marie-François de Sales Baillot

Priscille Lachat-Sarrete – L’école française de violon de Viotti, Kreutzer, Baillot et Rode : virtuosité et lyrisme dans les concertos pour violon

Alessandro Mastropietro – Un solismo da camera: Baillot e il «trio brillant» parigino all’inizio del secolo XIX

Lorenzo Triviño López – Locatelli’s Bow Technic Legacy in Baillot’s l’«Art du violon»

Jean-Marie Leclair and His Legacy

Walter Kreyszig – Jean-Marie Leclair’s «goûts réunis» in His «Quatre livres de sonates pour violin et basso continuo», Op. 1 (1723), Op. 2 (ca. 1728), Op. 5 (1734) and Op. 9 (1738): Chromaticism, Deceptive Cadence, Enharmonic Modulation, and Bimodality in Anticipation of Early Nineteenth-Century Harmonic Practices

Sallynee Amawat – Bridging the Baroque and Classical Periods: The Role, Lives, and Innovations of French Violinist-Composers Guillemain, Guignon, Leclair, and Mondonville

Guillaume Tardif – Diets, Dialogues, Duels: The Evolution of Two-Violin Unaccompanied Repertoire since Leclair

Background Voices

Annalisa Barzanò – Pietro Antonio Locatelli e Jean-Marie Leclair nel Fondo Piatti-Lochis

Charris Efthimiou – About the Instrumentation of the Melody Line in Alessandro Rolla’s Symphonies D4 and E1 (1803-1811)

Ana Lombardía – The Violin Sonata in Madrid (1740-1770): Italian and French Influences

Simone Laghi – I Sei Quartetti per Archi di Bartolomeo Campagnoli: “Scienza tedesca e anima italiana”

Jesús Fernández Sinde – Music, Image and Identity: Private Halls and Female Spanish Performers during the Second Half of the 19th Century

Giuseppe Tartini

Gregorio Carraro – «Ah vous dirai-je, Tartini!» Tartini e lo stile francese

Tommaso Luison – Tartini e Locatelli: figure retoriche, tecnica violinistica ed elementi di orchestrazione nei concerti per violino

Programme