Exotisme musical en France et modernité à l’époque de Berlioz
If modernity in Berlioz’s time is taken as research into anything unconventional, anything that made it possible to escape the positivism of the Enlightenment, then one of its matrices could be the Romantic fascination for exoticism, for the spirit of the people, and for legendary models that were a product of a past at variance with classical antiquity. This article reiterates how what was called “local colour” in the 19th
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publication date : 26/09/23