Between Centres and Peripheries. Music in Europe from the French Revolution until WWI (1789-1914)

Programme

Keynotes

Étienne JardIn – Rethinking Interactions between French Music Schools and Paris Conservatoire during the 19th Century

Yvan Nommick – Paris-Vienne, 1890-1914 : singularités et convergences musicales

Models of Music Production in the Peripheries

Sophie Horrocks – Culture Wars in the French Peripheries: Travelling Troupes and the 9th «arrondissement» between 1824-64

Ivana Vesić – For the ‘Pure’ National and High-Art Values: Music Production and Performance in the Kingdom of Serbia (1882-1914)

Francesc Cortès I Mir – Mirando a París y Bayreuth: las representaciones operísticas del G. T. del Liceu de Barcelona en el cambio de siglo

María Sanhuesa Fonseca – Acordes de una existencia: el entorno musical de los marqueses de Canillejas (Asturias–Madrid) en el tránsito al siglo xx

Fernando Barrera-Ramírez – En la periferia de la periferia: música y bandolerismo en torno a la figura de Diego Corrientes

M. Belén Vargas Liñán – Centro y periferia en la Península Ibérica: relaciones musicales entre Granada y Madrid en el siglo xix

Annette Kappeler, Giulia Brunello et Raphaël Bortolotti – An Italian Provincial Theatre: Repertoire, Public, Actors, Administration and Stage Material of Feltre’s Teatro Sociale in the 19th Century

Music for New Spaces and the Circulation of Music in Different Contexts

Sarah Fuchs – Centres, Peripheries, and Phono-Cinéma-Théâtre (1900-1903)

Clément Noël – Le «Couronnement de la Muse du Peuple» de Gustave Charpentier : un théâtre citoyen à la rencontre des provinces françaises (1897-1914)

Rosemary Golding – On the Edges of Society: The Hidden Musical Cultures of Nineteenth-century British Lunatic Asylums

Quentin Dishman – «Hommes, enfants, femmes, nous répondrons!»: The Chanteuse Patriotique in Paris’ Cafés-Concerts, 1870-1889

Floris Meens – «Lust zu einer Soiree»: The Nineteenth-century Transfer of Music (Cultures) between The Netherlands and Germany

Universality vs. Nationality

Bella Brover-Lubovsky – Music and Social Mobility in the Late Eighteenth-Century Russian Empire

Axel Klein – Music in and from Ireland: Perspectives on an Ununited Kingdom

Ivan Moody – Centre and Periphery: Symphonic Identity in Portugal

Virginia E. Whealton – Poland as Periphery and Musical Center: Wojciech/Albert Sowinski’s Theorizations of Polish Musical Identity

Redefining Centres and Peripheries in European Music

Michael Christoforidis – Spanish Estudiantinas, the Popular Music Stage and Sonorities of the Belle Époque

María Encina Cortizo – The Attraction of the Periphery: Sounds from a Picturesque Spain Imagined by the Other in the 19th Century

Miriam Perandones Lozano – Quinito Valverde in Paris (1907-1912): An Approach to the Study

Jonathan Mallada Álvarez – ¿Centro español, periferia europea? Los casos de Fuller y Frégoli en la escena madrileña (1893-1896)

Klára Hedvika Mühlová – Czech and Slovak Music Theory in the Long 19th Century and Its Contextual Transformations

Jeroen Van Gessel – «I’ve Been Lucky with the Operas!»: Music Tourism and the Making of European Music Capitals

Cultural Transfer of Music

David Conway – Roma, Magyar, Jew. The Spread of ‘Gipsy’ Music in the long 19th Century

Gloria A. Rodríguez-Lorenzo et Francisco J. Giménez-Rodríguez – Between Hungary and Spain: Musical Encounters behind Europe

Alessandra Palidda – Music for the ‘Nation’: The Creation of a Transnational Musical Style between Paris and Republican Milan

Matthieu Cailliez – Le théâtre lyrique en Corse et en Algérie française au miroir de la presse musicale européenne (1830-1870)

Maria Alice Volpe – «Concertos Populares» as Models of Production, Dissemination and Reception of French and Brazilian Symphonic Music in the late Nineteenth- and early Twentieth-century Rio de Janeiro

Kelvin H. F. Lee – Enescu’s Formal Fields: Centre, Periphery and Cultural Transfer

Music from the Peripheries: Genres and Repertoires

Nancy November – Arrangement or Derrangement? Cultivating Arrangements of Public Music in the Early Nineteenth-Century Viennese Home

Ramón Sobrino – La internacionalización de la música española a través de Sarasate y el repertorio para violín en la segunda mitadl del siglo xix: jotas, habaneras y zapateados en Europa

Nicolas Boiffin – Centres and Peripheries of a Musical Genre: The Idea of «Lied» in the German Music Criticism between 1875 and 1914

Eric Boaro – City Bands, Orphanages and Amateur Organists. Sacred Music in the Lombard Countryside at the End of the Nineteenth Century

Aviram Freiberg – The Csakan as Representative of Biedermeier Culture

Daniela Braun – Joining the Center and the Periphery. The Viola d’amore at the Paris Opera

The Commercialization of Music

Martina Kalser-Gruber – Viennese Operetta Composers and their Publishers: A Love-Hate Relationship?

Peter Mondelli – A Goguette Assemblage: A Manuscript Chansonnier in an Age of Print

The Reception and Adaptations of the Canon on the Margins of Europe

Nuria Blanco Álvarez – La huella bufa de Offenbach en las zarzuelas de Manuel Fernández Caballero

Andrea Garcia Torres – Rising Modern Theatre: The Reception of «Vaudeville» on the Spanish Stage

José Ignacio Suárez García – Relatos periféricos: Richard Wagner como instrumento narrativo en la literatura menor española del último tercio del siglo xix

Programme