Journées France: Musiques, Cultures, 1789-1918
Réunion annuelle du réseau FMC organisée du 11 au 13 juillet 2022 au Palazzetto Bru Zane (Venise).
Comité d’organisation : Katharine Ellis, Mark Everist et Kerry Murphy.
Programme
Francophone Music Criticism
Matthieu Cailliez – Les écrits de Fromental Halévy
Arnold Jacobshagen – The Obituary as a benchmark of canonization. Rossini and the French press in 1868
Sylvia Kahan – Reportage of Chamber Music in the Paris Dailies, 1860-1918
Agents of change
Peter Asimov – Reassembling Bourgault-Ducoudray
Axel Klein – Swan Hennessy: an American in Paris
Critical knowledge
Francesca Brittan – Attention, Instrumentality, and the Orchestration of Mind
Davinia Caddy – Maurice Rollinat and a Hermeneutics of the Flesh
Nathan Dougherty – Closing the Memorative Wound: Clinical Nostalgia and the French Romance
Iconography and Fashion c1800
Julia Doe – Musical Sociability and Atlantic Slavery in the Portraiture of Carmontelle
Rebecca Geoffroy-Schwinden – Fashion, Musical Taste, and the French Revolution: Journal de la mode et du goût
Marjolaine David et Sandrine Divanac'h – Une faïence illustrée de la partition ‘Souvenirs du jeune âge’ du Pré aux clercs, romance d’Hérold (1791-1833): étude iconographique et musicologique?
Femmes musiciennes
Fauve Bougard – Les étudiantes du Conservatoire au XIXe siècle: dépasser le modèle de la ‘jeune fille au piano’
Gareth Cordery – Louise Farrenc, Music Pedagogy, and the Gendered Reception of the Étude in Nineteenth-Century France
Helena Tyrväinen – Soprano Aïno Ackté and the guardians of her golden cage: the Parisian opera machine as a network
France to Algeria and Polynesia and back again
Kerry Murphy – Exoticism, militarism and chauvinism in representations of Algeria in 19thcentury French opera-comique
Geoffrey Colson – Hīmene, voix de Polynésie : enjeux d’un nouveau genre vocal au XIXe siècle
Jann Pasler – The discourse of ruins and musical archaeology : from France to Algeria
Round Table Upstaging Opera – Annelies Andries, Jacek Blaszkiewicz, Mark Everist, Jens Hesselhager, William Osmond, Clair Rowden, Tommaso Sabbatini, Richard Sherr.
Opera and Dance
Emma Kavanagh – Upturning Forster’s Hourglass: Fate, Narrative, and the Will of God in Massenet’s Thaïs
Sophie Benn – “La France marche dans un rythme glorieux”: Metaphors of Immigration and National Identity in the Tango Craze of 1913
Laure Schnapper – Isaac Strauss (1806-1888), le musicien de Napoléon III
Composition, Improvisation and Analysis
Pauline Amar – De l’improvisation à la composition: genèse stylistique de Camille Saint-Saëns (1850-1865)
Andrew Deruchie – Hearing Debussy Listen: Urban Sound and the Nocturnes
Sylvain Caron – Le cycle Spleens et Détresses de Louis Vierne: une relecture musicale de l’univers verlainien
Military and sacred sound
Samuel T. Nemeth – Battle of the Bands: The Dawn of a New Brass Technology
Jennifer Walker – Constructing Sacred Sound: Hector Berlioz’s Grande Messe des morts at the Church of Saint-Eustache
Tadhg Sauvey – Questioning the Modernity of a Genre: Cesar Franck’s Les Béatitudes and the “Renewal” of Oratorio in Fin-de-Siècle Paris
Related works
Le Pré aux clercs
Ferdinand HÉROLD
/Eugène de PLANARD
L'Île du rêve
Reynaldo HAHN
/Georges HARTMANN André ALEXANDRE
Thaïs
Jules MASSENET
/Louis GALLET
Grande Messe des morts [Requiem] op. 5
Hector BERLIOZ
Les Béatitudes
César FRANCK
/Joséphine COLOMB
Related persons
Useful links
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publication date : 04/10/23