Récital et paysage urbain au XIXe siècle
Partenaire
Colloque organisé du 11 au 13 juillet 2013 au Centre d’art moderne et contemporain de La Spezia (Italie) par le Centro Studi Opera Omnia Luigi Boccherini en collaboration avec le Palazzetto Bru Zane et la Società dei Concerti (La Spezia).
Comité scientifique : Andrea Barizza, Richard Bösel, Roberto Illiano, Étienne Jardin, Fulvia Morabito, Massimiliano Sala, Rohan H. Stewart-Macdonald
Publications liées :
Ad Parnassum 12/24 (2014) Ad Parnassum 13/25 (2015)
Programme
Keynotes
Richard Bösel – Gli scenari del recital : architetture per la musica nelle città dell’Europa Centrale (1781-1884)
Laure Schnapper – Les salles de concert à Paris dans la première moitié du XIXe siècle
Il Recital solistico: nascita e sviluppo di un genere
Maria Welna – The Solo Recital: A Lost Performance Tradition
George Brock-Nannestad – The Recital in Any Home
Il recital nell’Ottocento in Spagna e Portogallo
María Encina Cortizo et Ramón Sobrino – The Configuration of Concert Setting in Madrid in the Nineteenth Century through Small Music Centres: The Conservatory’s Salones, the Salón Romero and Salón Eslava
Rui Pereira et Ana Maria Liberal – Dreaming of a Crystal Palace: The First Concert Hall of Porto
Gloria Araceli Rodríguez Lorenzo – The Presence of Wind Instruments in Later Nineteenth-Century Madrilenian Recitals
José-Ignacio Suárez – Wagner in Nineteenth-Century Madrilenian Recitals
Il recital solistico al di fuori dell’Europa
Fabrizio Ammetto – I primi concerti in Messico di violinisti europei: Bull, Artôt e Vieuxtemps nella stampa dell’epoca
Ndubuisi E. Nnamani – Music Recitals, Space, Power and the Production of Place: Recital and the Creation of the Urban Setting in Nineteenth-Century Lagos
Charles-Valentin Alkan
Stephanie McCallum – Alkan’s Take on a Domestic Piano Genre: The Five «Recueils de Chants» (1857-1872)
Maria Teresa Arfini – Charles Valentin Alkan e la musica di Johann Sebastian Bach: un capitolo dello storicismo in Francia
Recital e cultura concertistica nel Regno Unito durante l’Ottocento
Susan Wollenberg – Musical Life in a University City: The Development of Concert Culture in Nineteenth-Century Oxford
Rohan H. Stewart-Macdonald – The Recital in England: William Sterndale Bennett’s Classical Chamber Concerts (1842-1856)
Rosemary Golding – Organ Recitals, Education, Repertoire, and a New Musical Public in Nineteenth-Century Edinburgh
Iain Quinn – The Organist as Virtuoso and Educator in the Nineteenth-Century Town Hall: The Role of England’s Foremost Concert Organist, W. T. Best
Il Recital in Francia, Belgio e Italia
Fiorella Sassanelli – La carrière de Raoul Pugno pianiste (1852-1914) entre Paris, Rome, Berlin, New York et Moscou
Tatiana Debroux, Valérie Dufour, Catherine A. Hughes, Christopher Brent Murray – Mapping Recitals in Metropolitan Brussels, 1865-1914, presented by Catherine A. Hughes.
L’Italia
Thomas M. Cimarusti – From Recitals and Matinées to Musicales and Soirées: An ‘Italian Schubert’ in Nineteenth-Century European Halls and Salons
Carmela Bongiovanni – Recital borghese, artisti e luoghi dell’ascolto a Genova nel XIX secolo
Persone correlate
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data di pubblicazione : 04/10/23