Récital et paysage urbain au XIX^e siècle

Programme

Keynotes

Richard Bösel – Gli scenari del recital : architetture per la musica nelle città dell’Europa Centrale (1781-1884)

Laure Schnapper – Les salles de concert à Paris dans la première moitié du XIX^e siècle

Il Recital solistico: nascita e sviluppo di un genere

Maria Welna – The Solo Recital: A Lost Performance Tradition

George Brock-Nannestad – The Recital in Any Home

Il recital nell’Ottocento in Spagna e Portogallo

María Encina Cortizo et Ramón Sobrino – The Configuration of Concert Setting in Madrid in the Nineteenth Century through Small Music Centres: The Conservatory’s Salones, the Salón Romero and Salón Eslava

Rui Pereira et Ana Maria Liberal – Dreaming of a Crystal Palace: The First Concert Hall of Porto

Gloria Araceli Rodríguez Lorenzo – The Presence of Wind Instruments in Later Nineteenth-Century Madrilenian Recitals

José-Ignacio Suárez – Wagner in Nineteenth-Century Madrilenian Recitals

Il recital solistico al di fuori dell’Europa

Fabrizio Ammetto – I primi concerti in Messico di violinisti europei: Bull, Artôt e Vieuxtemps nella stampa dell’epoca

Ndubuisi E. Nnamani – Music Recitals, Space, Power and the Production of Place: Recital and the Creation of the Urban Setting in Nineteenth-Century Lagos 

Charles-Valentin Alkan

Stephanie McCallum – Alkan’s Take on a Domestic Piano Genre: The Five «Recueils de Chants» (1857-1872)

Maria Teresa Arfini – Charles Valentin Alkan e la musica di Johann Sebastian Bach: un capitolo dello storicismo in Francia

Recital e cultura concertistica nel Regno Unito durante l’Ottocento

Susan Wollenberg – Musical Life in a University City: The Development of Concert Culture in Nineteenth-Century Oxford

Rohan H. Stewart-Macdonald – The Recital in England: William Sterndale Bennett’s Classical Chamber Concerts (1842-1856)

Rosemary Golding – Organ Recitals, Education, Repertoire, and a New Musical Public in Nineteenth-Century Edinburgh

Iain Quinn – The Organist as Virtuoso and Educator in the Nineteenth-Century Town Hall: The Role of England’s Foremost Concert Organist, W. T. Best

Il Recital in Francia, Belgio e Italia

Fiorella Sassanelli – La carrière de Raoul Pugno pianiste (1852-1914) entre Paris, Rome, Berlin, New York et Moscou

Tatiana Debroux, Valérie Dufour, Catherine A. Hughes, Christopher Brent Murray – Mapping Recitals in Metropolitan Brussels, 1865-1914, presented by Catherine A. Hughes.

L’Italia 

Thomas M. Cimarusti – From Recitals and Matinées to Musicales and Soirées: An ‘Italian Schubert’ in Nineteenth-Century European Halls and Salons

Carmela Bongiovanni – Recital borghese, artisti e luoghi dell’ascolto a Genova nel XIX secolo

Programme