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Le quatuor à cordes de 1750 à 1870 : de l’espace privé à l’espace public

Data della conferenza :
29 novembre-1er décembre 2013

Partenaire

Colloque organisé du 29 novembre au 1er décembre 2013 au Complesso monumentale di San Micheletto (Lucques, Italie) par le Centro Studi Opera Omnia Luigi Boccherini, en partenariat avec l’Italian National Edition of Luigi Boccherini’s Complete Works, Ad Parnassum Journal et le Palazzetto Bru Zane.

Comité scientifique : Roberto Illiano, Étienne Jardin, Fulvia Morabito, Luca Lévi Sala, Massimiliano Sala, Christian Speck

Publication liée
The String Quartet: From the Private to the Public Sphere, sous la direction de Christian Speck, Turnhout : Brepols, 2016.

Programme

Keynotes

Cliff Eisen – Why the String Quartet?

Christian Speck – Joseph Haydn and the Classical String Quartet: Vocal and Instrumental Thinking in the Variations of Op. 76, No. 3

Beethoven and the String Quartet

Nancy November – From Private to Public to Private? On the Aesthetics and Reception of Beethoven’s String Quartet in F Minor, Op. 95

Mark Ferraguto – Beethoven’s Late Quartets and the Idea of “Romantic Sociability”

Stephen Husarik – Gluck’s Theme in Beethoven’s «Große Fuge», Opus 133: A Study in Thematic Transformation

Maria Teresa Arfini – Il «Quatuor Scientifique» di Antonín Reicha e la sua influenza sull’ultimo Beethoven

Boccherini: A Composer sui generis

Mara Parker – Music Fit For A King: Boccherini’s Quartets for Friedrich Wilhelm II

Lolita Fūrmane – Boccherini und Haydn als zwei Arttendenzen in dem frühen Streichquartett

Michael F. Vincent – The String Quartet and the Communication of Genre in Lombardy, ca. 1760-1773

Aesthetics, Iconography and Performance

Stefan Caris Love – Compositional Deception and the First-Time Listener in the Classical String Quartet

Melanie Lowe – Topics of Consumer Identity in the 1780s: Pleyel’s Op. 1 and Mozart’s Op. 10 String Quartets

Alan Davison – Picturing the String Quartet in the Nineteenth Century: A Study in the Visual History of Listening

Edward Klorman – The String Quartet Before the Concert Hall: Did The Players Rehearse?

The String Quartet in Italy

Elisa Grossato – L’evolversi del quartetto all’italiana attraverso la competizione pubblica del fiorentino premio “Basevi”: il significativo caso di Giovanni Bottesini

Alice Sbrilli – I quartetti di Francesco Zanetti (1737-1788): committenza, circolazione e stile

Alessandro Mastropietro – Un temibile concorrente del quartetto d’archi nel secondo Settecento: il trio a due violini e violoncello, tra camera e orchestra

Mariateresa Dellaborra – Giovanni Battista Viotti e “les quatuors dialogués”

Stephanie Klauk – Streichquartettpflege in Rom in der zweiten Hälfte des 18. Jahrhunderts

Franz Joseph Haydn

Federico Gon – «Due secoli, l’un contro l’altro armato»: reminiscenze barocche e tendenze romantiche nei Quartetti Op. 76 di Franz Joseph Haydn

Alexander Raymond Ludwig – Searching Haydn’s Quartets for Tovey’s ‘Luxurious Effects’

Rainer Kleinertz – Die Streichquartette Joseph Haydns im Spiegel der Sonatentheorie Francesco Galeazzis

James S. MacKay – Sonata-Form Solutions: Formal Experimentation in Joseph Haydn’s String Quartets, Opus 17

Walter Kreyszig – Haydn als Wegbereiter Beethovens: Zur Verknüpfung von “stile antico”, gelehrtem Kontrapunkt und “stile galante” in den Finalsätzen von Haydns Opp. 20/2, 20/5 und 20/6 und der Fortsetzung des strengen Stils in Beethovens «Großer Fuge in B-Dur», Op. 133

Balázs Mikusi – Joseph Haydn’s String Quartet Collection

The String Quartet in Vienna

Roberto Scoccimarro – Joseph Eybler e il quartetto per archi a Vienna negli anni 1790-1810

Julia Gołębiowska – String Quartets of Józef Elsner. Between the Viennese Tradition and Polish National Style

Anne M. Hyland – Form versus Aesthetic: Schubert’s «Quartettsatz» and the Dialectic of Private and Public

The String Quartet in France

Florence Doé de Maindreville – Naissance et développement d’une société de quatuors en province au milieu du XIXe siècle : l’exemple de Reims

Louise Bernard de Raymond – Vers une symphonisation de l’écriture du quatuor à cordes au début du XIXe siècle : l’exemple des quatuors à cordes d’Antoine Reicha

Muriel Boulan – La révélation d’un jeune compositeur sur la scène publique au début des années 1830 : les quatuors à cordes de Henri Reber

Fabio Morabito – Signs of the Distance: Mapping the Performer’s Space in the 1820s Parisian Professional String Quartet Concert

Livia Laifrova – Les premières éditions parisiennes de quatuors à cordes des compositeurs tchèques au tournant du XIXe siècle.

Production and Reception in European Countries

Rohan H. Stewart-MacDonald – Works for String Quartet by Samuel Wesley: A Preliminary Overview

Warwick Lister – Feliks Yaniewicz and the String Quartet in Great Britain, 1810-1830

Michaela Freemanová – String Quartet Repertoire in the Late Eighteenth-Century and Early Nineteenth-Century Collections of the Bohemian Nobility and Religious Orders: Dissemination at Home and Abroad

Christiane Heine – String Quartet Composition in Spain after Juan Crisóstomo de Arriaga [1824] until the 1870s: A Non-Existent History of the Genre?

Beatriz Hernández Polo – Schumann: from “Modern” to “Classic”. Presence and Reception of the String Quartets of European Romantic Composers in Madrid through the Activity of the “Cuarteto Francés”

Programme

Persone correlate

Compositore, Pianista

Ludwig van BEETHOVEN

(1770 - 1827)

Compositore, Violoncellista

Luigi BOCCHERINI

(1743 - 1805)

Compositore

Antoine REICHA

(1770 - 1836)

Compositore

Henri REBER

(1807 - 1880)

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https://www.bruzanemediabase.com/it/node/67077

data di pubblicazione : 04/10/23