Musique et guerre de Napoléon à la Grande Guerre

Programme

Keynotes

Martin Kaltenecker – Listening to the War from Afar

Svanibor Pettan – How Research on Music and ‘Modern Wars’ Benefits Our Understanding of the Links Between Music and War in Historical Perspective

Musique et musicologie en France : Grande Guerre et paix 

Michel Duchesneau – « La Revue musicale » ou le phœnix musical

Martin Guerpin – Le « Courrier musical » comme instrument de propagande. Nouveaux discours sur la musique et réinvestissements des débats d’avant-guerre

Liouba Bouscant – « La musique pendant la guerre »: questions d’esthétique au temps de l’Union sacrée. Catégorisation et formes du discours esthétique dans la presse de guerre

Federico Lazzaro – L’artiste, le soldat et l’athlète. Musique de guerre, musique de sport

Music and Economics in Napoleonic Era

Henri Vanhulst – Les relations commerciales de Jean-Jérôme Imbault d’après l’acte de vente notarié du 14 juillet 1812

David Rowland – European Music Publishing during the Napoleonic Wars

Nancy November – Selling String Quartets in Napoleonic Vienna: What Can Statistics Tell Us?

Music and Revolution

Renato Ricco – Virtuosi spadaccini e suggestioni napoleoniche nella ‘scuola violinistica francese’: i casi de Le Chevalier de Saint Georges e di Alexandre Boucher

Alessandra Palidda – Milan and the Music of Political Transitions in the Napoleonic Period: The Case of Ambrogio Minoja (1752-1825)

Michaela Krucsay – «…Frau von Cibini will not return as long as one student in Vienna is left.» Katharina Cibbini-Koželuch and the Revolution of 1848 in Austria

Walter Kreyszig – Franz Joseph von Sauer’s «Allgemeines Wiener Aufgeboth» of April 4, 1797 in the Musical Depiction by Johann Baptist Vanhal (1739-1813): On the Nexus of «stile galant», «stilus mixtus», «Fortspinnung» and Alberti Bass

Opera and French Revolution

Maxime Margollé – Du « Nouveau d’Assas » (1792) aux « Mariniers de Saint-Cloud » (1799) : l’influence de la guerre sur le répertoire d’opéra-comique pendant la Révolution

Sonia Mazar – Opera and Revolution: Political Critique in Opera by Daniel-Francois-Esprit Auber «La Muette de Portici»

Maria Birbili – Battle and Siege in the Opera of the French Revolution and in the Opera of the Napoleonic Era

Opera and War

Yaël Hêche – « C’est par mes bienfaits que je veux t’enchaîner ». Napoléon Ier, la guerre et la paix dans « Fernand Cortez ou La conquête du Mexique » de Gaspare Spontini

Riccardo La Spina – «Ecco il loco destinato» – Original Italian Opera as a Response to European Invasion in 1863 Mexico

Military Music and Military Bands

Michaela Freemanová – Václav František Červený (1819-1896) and his Followers

Bruce Gleason – Horse-Mounted Bands of Europe: «La Fanfare de Cavalerie de la Garde Républicaine»

Morag Josephine Grant – Music at the Moment of Violence: The Great Highland Bagpipe in the Long Nineteenth Century

Vesna Mikić et Maja Vasiljević – Music Tours of Serbian Military Orchestras in Great War: A Quest for Cultural Cooperation and Alliance

Manfred Heidler – German Military Music during World War I: Remarks on a Musical Phenomenon Manifesting itself between the Glory of Prussia, Concert Halls and Materiel Battles

George Brock-Nannestad – From the Battlefield to the Drawing Room. The Domestication of the Military Band

Patrick O’Connell – Military Music and Rebellion, Ireland, 1793 to 1816

David Gasche – «Harmoniemusik» and Military Music with some Observations on the Wind Octet «Gott erhalte den Kaiser» by Joseph Triebensee (1810)

Tobias Fasshauer – Globalizing the Military Style: Transatlantic Interrelations in Belle Époque March Composing

Music in France during the WWI

Eric Sauda – Song at the Home Front during the Great War

Yves Rassendren – Composer au front. 1914-1918 : Le cas des musiciens français

Frédéric de La Grandville – Guerre et paix à Paris entre 1795 et 1815 : incidences du militaire sur le Conservatoire de musique

Music and the First World War

Cristina Scuderi – I canti italiani di protesta nella Grande Guerra

Giuseppe Sergi – New Aesthetics Leanings: E. A. Mario and the «canzone di guerra» during the World War I

Jan Dewilde – The “Great War” in Belgium, Reflected in Music

James Garratt – «Ein gute Wehr und Waffen»: The Functions of Organ Music in the First World War

Lucy Church – Musical Moral Panic: American (over)Reactions to Enemy Musics during the Great War

Music for War / Music and War

Bella Brover-Lubovsky – Music for Cannons: Giuseppe Sarti in the Second Turkish War

Maria Rose – The Death of a General and the Birth of Romantic Music: General Hoche in 1797

Ryszard Daniel Golianek – A Valiant Nation. Images of Poland and the Poles in German Music ca. 1830

Chloe Valenti – «To Arms! Fair Land of Sweet Music»: Garibaldi Songs in Late Nineteenth-Century England

Sara Navarro Lalanda – L’assedio di Tetuan (1859- 1860): un elemento di unità in tempi di instabilità nazionale

Music and Politics: Aesthetic and Ideological Perspectives

Guillaume Tardif – Music on Which Wars Open and End: The Genres of the National Anthem and the Instrumental Elegy in Europe as They Appear in the Concert Repertoire for Violin in the 19th Century

Viktor Nefkens – A Cosmopolitan Take on «Deutschtum»: On the Constitution of Richard Wagner in the Aesthetic-Ideological Context of Austro-Marxism

Alison Sanders McFarland – Gustav Holst, Empire, and Approaching War

Mark McFarland – Musical Masks in Pre-War Paris

Michael Palmese – Reaching for the Past: «Le tombeau de Couperin» and «Symphonies d’instruments à vent» as Artistic Responses to World War I

Programme Music and Battle Pieces

Rainer Kleinertz – Beethoven’s Symphony No. 7: A ‘War Symphony’?

Stephanie Klauk – Musiche italiane sopra battaglie di Bonaparte

Maria Teresa Arfini – «La Victoire de Wellington» di Beethoven nella teoria della significazione musicale di Adolf Bernhard Marx

Mariateresa Storino – Solidarietà dei popoli e idea di patria: i poemi sinfonici di Augusta Holmès

Programme