Ambroise THOMAS
1811 - 1896
Composer
Born in Metz to a family of musicians, Ambroise Thomas began his career under his parents’ guidance. The sudden death of his father in 1823, however, cast a shadow over this promising start. He enrolled at the Paris Conservatoire in 1828 and studied under Zimmerman (piano), Dourlen (harmony) and Lesueur (composition), before winning the Prix de Rome in 1832. Although he composed several works of chamber music during his stay at the Villa Medici, he set his sights on the stage from 1837. After a well-received first attempt (La Double Échelle), his rise to fame was rapid and he won renown for Le Caïd, Le Songe d’une nuit d’été, Raymond and Le Roman d’Elvire. However, it was with Mignon (1866) and Hamlet (1868) that his reputation really soared, although this successful period marked a decline in his creative activity owing to his administrative duties, particularly at the Conservatoire, where he became professor of composition (1856) then director (1871). Despite their undeniable qualities, his late works, such as Françoise de Rimini (1882) and the ballet La Tempête (1889), did not repeat his past triumphs. An academic composer par excellence, elected to the Institut de France in 1851, Thomas combined his successful institutional career with his activities as a hugely talented melodist and orchestrator. Anxious to please the public, while protecting the French heritage from Germanic influence, he became a model for many of his pupils, including Massenet and Dubois.
Chronological milestones
Documents and archives
Press illustration, Picture of a scene
Le Monde illustré, 1868/03/14 [Hamlet]
Caricature, Press illustration
Ambroise Thomas (par Fusino)
Press article
Le Figaro, 23 mai 1878 [Psyché de Thomas]
Press article
Le Figaro, 1er février 1857 [Psyché de Thomas]
Scientific publications
Articles
Dante and nineteenth-century music
Publication