Skip to main content

Saint-Saëns and opera

Category :
Articles
Author(s):
Marie-Gabrielle SORET
Date:

From the 1850s until his death in 1921 Saint-Saëns followed opera’s progress with keen interest. During his long career he witnessed its evolution as a spectator, but also as a composer. Opera was central to his concerns, as may be seen from his prolific writings (books, articles, prefaces and letters) containing many comments on works old and new, performers, repertoires, styles, aesthetics, institutions and their directors, and so forth. In founding the Société Nationale de Musique in 1871 to promote contemporary French music and its performance, Saint-Saëns became a spokesman for a new generation of French composers; then through his writings, his taste for controversy and his omnipresence in French musical life, he became ‘the true conscience of French opera’ (Hervé Lacombe, Les Voies de l’opéra français au XIXe siècle, Fayard, 1997, p. 13).

CD-Book Camille Saint-Saëns. Les Barbares (2014). Translation: Mary Pardoe.

Scientific publications

Publications

Camille Saint-Saëns. Les Barbares

Related persons

Composer, Organist, Pianist, Journalist

Camille SAINT-SAËNS

(1835 - 1921)

Permalink

https://www.bruzanemediabase.com/en/node/5791

publication date : 22/12/23