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Récital et paysage urbain au XIXe siècle

Date of the symposium:
11-13 juillet 2013

Partenaire

Colloque organisé du 11 au 13 juillet 2013 au Centre d’art moderne et contemporain de La Spezia (Italie) par le Centro Studi Opera Omnia Luigi Boccherini en collaboration avec le Palazzetto Bru Zane et la Società dei Concerti (La Spezia).

Comité scientifique : Andrea Barizza, Richard Bösel, Roberto Illiano, Étienne Jardin, Fulvia Morabito, Massimiliano Sala, Rohan H. Stewart-Macdonald

Publications liées :
 Ad Parnassum 12/24 (2014) Ad Parnassum 13/25 (2015)

Programme

Keynotes

Richard Bösel – Gli scenari del recital : architetture per la musica nelle città dell’Europa Centrale (1781-1884)

Laure Schnapper – Les salles de concert à Paris dans la première moitié du XIXe siècle

Il Recital solistico: nascita e sviluppo di un genere

Maria Welna – The Solo Recital: A Lost Performance Tradition

George Brock-Nannestad – The Recital in Any Home

Il recital nell’Ottocento in Spagna e Portogallo

María Encina Cortizo et Ramón Sobrino – The Configuration of Concert Setting in Madrid in the Nineteenth Century through Small Music Centres: The Conservatory’s Salones, the Salón Romero and Salón Eslava

Rui Pereira et Ana Maria Liberal – Dreaming of a Crystal Palace: The First Concert Hall of Porto

Gloria Araceli Rodríguez Lorenzo – The Presence of Wind Instruments in Later Nineteenth-Century Madrilenian Recitals

José-Ignacio Suárez – Wagner in Nineteenth-Century Madrilenian Recitals

Il recital solistico al di fuori dell’Europa

Fabrizio Ammetto – I primi concerti in Messico di violinisti europei: Bull, Artôt e Vieuxtemps nella stampa dell’epoca

Ndubuisi E. Nnamani – Music Recitals, Space, Power and the Production of Place: Recital and the Creation of the Urban Setting in Nineteenth-Century Lagos 

Charles-Valentin Alkan

Stephanie McCallum – Alkan’s Take on a Domestic Piano Genre: The Five «Recueils de Chants» (1857-1872)

Maria Teresa Arfini – Charles Valentin Alkan e la musica di Johann Sebastian Bach: un capitolo dello storicismo in Francia

Recital e cultura concertistica nel Regno Unito durante l’Ottocento

Susan Wollenberg – Musical Life in a University City: The Development of Concert Culture in Nineteenth-Century Oxford

Rohan H. Stewart-Macdonald – The Recital in England: William Sterndale Bennett’s Classical Chamber Concerts (1842-1856)

Rosemary Golding – Organ Recitals, Education, Repertoire, and a New Musical Public in Nineteenth-Century Edinburgh

Iain Quinn – The Organist as Virtuoso and Educator in the Nineteenth-Century Town Hall: The Role of England’s Foremost Concert Organist, W. T. Best

Il Recital in Francia, Belgio e Italia

Fiorella Sassanelli – La carrière de Raoul Pugno pianiste (1852-1914) entre Paris, Rome, Berlin, New York et Moscou

Tatiana Debroux, Valérie Dufour, Catherine A. Hughes, Christopher Brent Murray – Mapping Recitals in Metropolitan Brussels, 1865-1914, presented by Catherine A. Hughes.

L’Italia 

Thomas M. Cimarusti – From Recitals and Matinées to Musicales and Soirées: An ‘Italian Schubert’ in Nineteenth-Century European Halls and Salons

Carmela Bongiovanni – Recital borghese, artisti e luoghi dell’ascolto a Genova nel XIX secolo

Programme

Related persons

Composer, Pianist

Charles-Valentin ALKAN

(1813 - 1888)

Composer, Violinist

Ole BULL

(1810 - 1880)

Composer, Violinist

Joseph ARTOT

(1815 - 1845)

Composer

Henri VIEUXTEMPS

(1820 - 1881)

Composer, Pianist

Raoul PUGNO

(1852 - 1914)

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