Exotisme musical (1789-1918)

Programme

Keynotes

Ramón Sobrino – Exotismos musicales en el siglo xix: las poéticas sonoras de lo diferente

Jean-Pierre Bartoli – De 1974 à 2022, quelques réflexions pour une petite histoire des études sur l’exotisme en musique et quelques propositions pour l’avenir

Exoticism on the Spanish Stage

Jonathan Mallada Álvarez – Exotismo y orientalismo en el Género Chico: análisis dramatúrgico de obras estrenadas en el teatro Apolo de Madrid durante la primera década del siglo xx

Francesc Cortès – Lo Oriental y lo nacional en las primeras óperas de Felip Pedrell: de «Le dernier Abencerage» a «L’ultimo Abenzeraggio»

Miriam Perandones – Autoexotismo en la obra lírico-teatral de Isaac Albéniz: discursos músico-culturales en su obra lírica

Exoticism in France

Guillaume Guillemin – «Gulnare», un opéra-comique oriental au gré des tourmentes politiques et esthétiques de la fin du XVIII^e siècle

Roberto Scoccimarro – L’orientalismo nelle «opéras- comiques» del Second Empire: «Lalla Roukh» e «La captive» di Félicien David

Serena Labruna – «Voilà donc la terrible cité!». Contrapposizione tra «couleur antique» e «locale» nella «Thaïs» di Jules Massenet

The Oriental, the National, the Ethnic or the Pittoresque: Stereotypes and Musical Languages

Sam Girling – «A Rich, Inventive Spirit»: Beethoven’s ‘Turkish’ Percussion Parts Reconsidered

Julia Fedoszov – Recreating Ancient Greek Dance and Music in a Hungarian Art-of-movement School

Ángela López Lara – Picturesque on Display: Perceiving Harmonic Processes of a Sundanese Gamelan in 1889

Orientalism and Exoticism in the Music of Liszt and Debussy

Nicolas Dufetel – « Io non so se son Valacchi O se Turchi son costor ». La musique composée par Liszt à Costantinople et la Rhapsodie « roumaine » : valaque, turque ou orientale ?

Caleb Labbe Phelan – Franz Liszt, the Roma, and Exotic Virtuosity

John Lam Chun-fai – Claude Debussy as Reinventor of «Musique Chinoise»

Mark McFarland – Debussy’s Reaction in Harmony to Paradise

Exoticism and Orientalism in British Music

Sonja Jüschke – “Off to Cairo”: Musical Exoticism in Late Victorian Popular Musical Theatre

John L. Snyder – The Orient in the Music of Samuel Coleridge-Taylor

Alison Sanders McFarland – British Exoticism: Imagination and Experience

The Sound Image of Exotic Spain

Michael Christoforidis et Elizabeth Kertesz – Exoticism and Beyond: The Habanera and Musical Modernity in belle-époque Paris

María Encina Cortizo – Exotic Sounds of Spain: Repertoires and Musical Imageries from Outside to Inside

Diego Cerdá Vargas – La influencia del discurso de Manuel de Falla sobre el cante jondo en la composición de «Noches en los jardines de España» (1909-1916): estudio de los parámetros armónico-modal melódico y rítmico

Nicolás Javier Casas Calvo – Caracteres españoles en la ópera del primer romanticismo alemán: una revisión del concepto de exotismo

Gloria A. Rodríguez-Lorenzo et Francisco J. Giménez-Rodríguez – Granada «The Beautiful» (1896): Musical Exoticism and Nostalgia at the Turn of the Century

Andrea García Torres – The «bayadera»: Myth, Modernity and Politics on the Spanish Stage

Orientalism and Musical Otherness in Opera and Other Musical Genres

Maria Birbili – L’orientalisme dans l’opéra de la fin du XVIII^e et du XIX^e siècle dans son contexte historique, esthétique et social : un aperçu

Patrick Becker-Naydenov – The Orient is Everywhere: Social Criticism and the Epistemology of Musical Othering in the ‘long’ 19th Century

Ralph P. Locke – Leaving «alla turca» Behind: The Middle East in Opera and Other Musical Genres, 1800-44

Guilherme Feitosa de Almeida – «Il Guarany» and the Poiesis of a Syncretic Composer

Laura Stanfield Prichard – Romantic Roma Roots: The Bolero as a Touchstone in the Long Nineteenth Century

Valeria Wenderoth – Hahn’s «L’Île du Rêve» and the Multi-faceted Representation of Otherness

The Reception of the Exotic Element in Italian Music

Davide Mingozzi – Carlo Andrea Gambini e il «Cristoforo Colombo»: un progetto sinfonico-corale nell’Italia ottocentesca

Federico Volpe – «I Lombardi alla prima crociata»: l’Islam medievale rappresentato da Giuseppe Verdi

Alessandro Decadi – «Les mystéres d’Isis», la ricezione di un adattamento

Eoin Kearns – Facilitating Irish Orientalism in Nineteenth-Century Italy

Exoticism in Croatian Music

Stanislav Tuksar – Exoticism as Specific Otherness of Some Acculturation Phenomena within Croatian 19th-century Arts

Petra Babić – The ‘Exotic’ as a Threatening Other: The Presentation of Ottoman Turks in the Croatian National-Historical Opera «Nikola Šubić Zrinjski» (1876) by Ivan Zajc

Vjera Katalinic – Staging Exoticisms: Case Studies in Operatic Iconography of the Late 19th-century Zagreb National Theatre

Exoticism in Popular and Art Songs

Delia Dattilo – «Indian Melodies, by Thomas Commuck, a Narragansett Indian» (1845): A Legacy in Transcultural Scenarios

Nicolas Boiffin – Exoticism in the German Lied: E. Geibel’s and P. Heyse’s «Spanisches Liederbuch» and Its Musical Settings

Inês Thomas Almeida – «It’s a Type of Song with a Special Character»: The Search for the Exotic in Early 19th- Century Portuguese Art Song, in the Accounts of Foreign Travellers

Paul Krejci – A Case Study of White American Male Othering in Early 20th-Century Popular Music: The Exotic Songs of Seattleite Minstrel Harold Taylor Weeks

Programme